Guest blogger chimes in!

Simon Meli with Lizzie
[Simon Meli with Lizzie at the Bon Scott Tribute Night]

I’ve been in Western Australia for the last week, so I missed out on the Sydney Bon Scott Tribute Night at the Vanguard Hotel.

But my roving reporters Lizzie and Jessie bravely went along on my behalf! Lizzie even had the guts to request a performance of She’s Got the Jack, a song she originally thought was just plain silly. Well, she still thinks it’s silly, it’s just that she can’t stop humming it now.

You can read Lizzie’s entertaining report on her night out with Bon here.

Oh, and if you wanted MORE REVEALING photos of the Bon Scott Blogger’s alter-ego, “The Lightning Rod”, in action at the WA Air Guitar Championships, Sally has kindly sent some in!

Swanee pays his dues…

My friend Jessie (who came along last week to see Mark Evans rock out at the Sando) just sent me an excited text message. There will be a tribute evening to Bon Scott in Newtown in a few weeks!

So here are the details:

LET THERE BE ROCK – A Salute to Bon Scott featuring SWANEE

The Vanguard
42 King Street
Newtown NSW
Australia

Thursday 24 Apr 2008
7:00 PM – 11:45 PM

ACDC formed in Sydney, Australia in 1973 by brothers Angus and Malcolm Young. The band is considered a pioneer of hard rock and heavy metal, alongside bands such as Led Zeppelin, Deep Purple, and Black Sabbath.

Celebrating the Bon Scott era of ACDC special guest vocalists rock out on a night that is going to blow you away!

Guest vocalists:
SWANEE
SIMON MELI (Ooh la la, Johnny G)
JOHN CASS
MAX SMIDT + More to be announced
The Electrfying Band is:
RICHARD MADDEN (Guitar)
CURTIS MARTIN (Drums)
TONY THE KIDD (Guitar) (Ooh La La)
CAMERON DUNN (Bass)

The Vanguard’s website is here.

Damn! I am heading over to Perth next week for the great air guitar gig, so I’m gonna miss this. Perhaps someone can go along to the tribute night at the Vanguard, and send in a report or some pictures for the blog?

The Mighty Blues

tice and evans at the sando
[Dave Tice with the funny-lookin’ red guitar, and Mark Evans on the right…]

Fans all over the world salivate over the tiniest scraps of information which occasionally filter through from AC/DC’s management. But the current band members live extremely private lives, subject to speculation of all sorts (will they ever complete a new album? will they ever tour again? do they ever rehearse together these days?).

But how many people are aware of this fact: Mark Evans, former AC/DC bass player, not only performs in an intimate setting every single Saturday afternoon, but if you’re lucky, you might even get to share a beer with him?

Last week, after hitting the second hand record stalls at the flea market, I went down to the Sandringham Hotel in Newtown to see him in action.
Continue reading “The Mighty Blues”

Hits and Memories

album covers

Saturday morning found me in Rozelle, a suburb of Sydney famous for its fleamarket. Lizzie was on the lookout for a mirror for her room. I didn’t really have anything in particular to search for, except a ceramic butter dish, which we’ve been hunting for ages (those things are rare!) So I just nosed around half-heartedly, while Lizzie tried on some jeans.

Since I started the Bon Scott Blog, I have been flipping through records at second hand shops, not in any disciplined way, just “on the off chance something might come up”. It never does. Somehow I get the impression that, like Stevo the collector, AC/DC fans keep a firm grip on their old vinyl.

So at Rozelle, of course, there were a few record stalls, and of course I had a shuffle through the boxes. As expected, no AC/DC. But I did start to turn up some records that were circulating around the time Bon joined the band and they started to have success…
Continue reading “Hits and Memories”

“A door is either open or shut.”

dave aston album cover

For some weeks I have been meaning to post a blog entry about “quality” in the music of AC/DC. But it’s not ready yet.

In the meantime, I want to point to something written by Sydney musician (and 1980s Holden Commodore Station Wagon enthusiast) Dave Aston. Dave is probably best known to local music fans from his work with bands Trout Fishing in Quebec, and Dave Aston and the Spanish Authorities. He plays the drums. I seem to remember, from the few gigs I attended, that these featured sprawling funky lineups – many personnel playing at once. And no lyrics, just instrumental jamming. And they were amazingly “tight”. I mean, 11 people on stage at once and they all manage to stop or start simultaneously.

Looking at this entry on Dave’s blog, it seems this is no accident – it’s something he thinks about a lot. It’s Dave’s opinion that AC/DC are generally misunderstood. Their music is regarded as “easy”, and yet there is an ineffable “something” which makes it so crisp and compelling to listen to. It’s the timing:

It is one thing to write, and rehearse, and execute popular music. But, even when learnt, the very best transcend the note values, and move into the realm of milliseconds, where everything is executed as close as possible to where the time is, without the aid of a click track. Of course, as we are not machines, theoretically we cannot play with absolute mechanical precision. […But when it’s done right] it’s as if the execution is so good, that the listener doesn’t understand the effect that it is having on them […]

So, next time you hear someone say that AC DC’s music is easy, and it may be easy to learn the melodies, and beats, and basslines, ask why the covers band playing Highway To Hell doesn’t sound as sweet as the real thing. The difference may not be that the guitarist can’t play solos like Angus Young. It’s more likely, as with the 50,000,000,000,000 original bands that have tried to sound like them, that they just don’t have the touch, the discipline, the concentration and attention to detail, and the soul.

AC DC are the loudest funk band on earth. A door is either open or shut. But, if you close it half way, and then halve that distance, and halve it again, you’ll never actually close it. I guess having it closed is a computer, or the mechanical, and getting it as close to closed as is possible for humans is someone like AC DC, those great Australian exponents of soul music.

Dirt Cheap

dirty deeds cd on the bus to canberra

Following Damo’s advice, I went down to Pitt Street looking for “that bargain CD shop near where that vegetarian yum cha place used to be.” Damo had acquired the entire Bon-era back catalogue there at only ten bucks a pop. He said they were imports from Argentina or something. Who knows how the music distribution business works? It’s a mystery to me.

I found the place. It’s called “Dirt Cheap CDs”. Inside, the AC/DC section (which takes up a fair amount of shelf space) was crammed with Brian Johnson-era releases: Flick of the Switch, Fly on the Wall, Stiff Upper Lip etc. etc. (One of these day’s I’ll do an analysis on Acca Dacca album names, there certainly seems to be a pattern there…)

Dirt Cheap CDs only had one Bon-era album: Dirty Deeds Done Dirt Cheap (1976). I figured given the name of the CD, the name of the shop, and the price of the item, it was meant to be. I asked the guy behind the counter if he had any more early AC/DC stuff. “Nah,” he said, “the computer says we’ve got 2 copies of Let There Be Rock, but I went looking for them earlier and I just can’t find them. They keep getting nicked.” Then he added hopefully: “But hey, you should check out some of the post-Bon era albums too, mate. They’re still pretty good!”
Continue reading “Dirt Cheap”

Driving without Bon

Last week I proposed that driving around is one of the better ways to listen to Acca Dacca: you can turn it up loud without disturbing the neighbours… the stereo in the car is pretty good, and somehow the rhythms of the highway meld with the driving force of the rock rhythms.

So to try it out, I picked Diego up from his house, and we went for a spin around Redfern. Earlier, Diego had told me about his first encounter with an AC/DC cassette tape – in Italy in the late 1980s. Telling the story, he couldn’t help himself, and air guitarred the key riff from Back in Black. So Back in Black, naturally, was his album of choice for our drive. I went and bought it from the record store (thereby doing my little bit to help cement it as AC/DC’s highest selling LP of all time).

Bon Scott, of course, doesn’t actually sing on Back in Black: by the time of its recording, 1980, he was freshly dead. Malcolm and Angus Young quickly auditioned for a new singer, who turned out to be Brian Johnson. Now I don’t want to get bogged down in a fruitless never-ending debate, but if you Google “Who is better: Brian Johnson or Bon Scott?” you come up with over seventy thousand hits. So you can see that this controversy, far from being laid to rest, is one of the defining and enduring features of the band.

I’ll reserve my opinion on this for later. In the meantime, you can listen to Diego musing “live” over the top of the album… some of the songs trigger memories of his first home-made tattoo, the time he did a strip-tease to Back in Black and his Eighties enthusiasm for Reggae…

We head down Regent Street, past Green Square to Gardeners Road, and then proceed to loop back up past Redfern Station. As a result of skipping a few tracks we get bored with, the odd nip n tuck in the editing, and muddied by road noises and conversation (apologies to the purists), Back in Black is thus compressed to just 18 minutes.

Click here to listen now, or right click and choose “save target as” to download the file [mp3, 10mb, 18 mins].

Or for the time-poor, here is a shorter version, with just the first six minutes…[mp3, 3mb, 6 mins].

Driving with Bon

acdc car
(Thanks to this fella for the above image)

Since the best stereo available to me is in a borrowed Toyota Yaris, that’s where I’ve been doing a lot of my listening. I can turn up the volume real loud and in that little bubble, really feel the music. It’s not the same coming out the tinny computer speakers or the crappy kitchen boombox. But sometimes it involves travelling with others, who, for some reason or another, are not entirely convinced of the genius of AC/DC. My girlfriend Lizzie, for instance. While I experience the “OI!-OI!-OI!s” on the song TNT as mischievous, subtly subversive and quite hilarious, (and although these OI!s are very Australian, I don’t find them at all “patriotic”) she cringes at ’em.

And while the poker/card game conceit on “She’s Got The Jack” (eg: “But how was I to know that she’d be shuffled before?“) are admittedly cheesy, for some reason I laugh at them every time. They come across, to me, as a parody of sorts (although, a parody of what exactly?) Lizzie begs to differ.

For my third and final example, take a few lines from the song “Rock and Roll Singer“:

Well you can stick your nine to five livin’
And your collar and your tie
You can stick your moral standards
‘Cause it’s all a dirty lie
You can stick your golden handshake
And you can stick your silly rules
And all the other shit
That you teach to kids in school
(‘Cause I ain’t no fool)

…at the line “You can stick your moral standards” she even has the nerve to scoff, audibly! (which is quite a feat when the music is turned up loud). The basic problem, as I see it, is that Lizzie hates unsubstantiated activist propaganda. To her, “stick your moral standards” is just an impossible paradox (how could you do that, even if you wanted to?)…and therefore scoff-worthy. And yet! – knowing a smidgeon about Bon’s own history, this song comes across as a kind of autobiography. This is not just an abstract song which could be sung by anyone. It’s Bon’s own tale. And it seems that Bon did live this reality (although, of course, he would be dead from it a few years later, but that’s another story).

Whatever your taste, driving around is certainly a good way to experience the music in a full bodied way. As opposed to drily writing about it in a blog, for instance. So I’ve decided to do some audio recordings with fans while we drive. Here’s the idea. You make up your perfect Acca Dacca mix-tape for me, and we’ll drive around with it turned up loud, recording our conversation as we listen. Maybe we’ll go somewhere significant, maybe we’ll just drive aimlessly. Then I’ll edit it a bit and upload it here as a podcast.